schumann piano concerto review

The Op. In her interpretation, Jáuregui effectively expresses the relationship between these two characters. In Die Romantische Seele, Judith Jáuregui presents works by Robert and Clara Schumann, exploring the themes of love and longing that underlie many of their compositions. Sat 30 Jun 2012 … However, her Florestan is in some cases a little too subdued and could use more vigor and edge to portray the conflict between the two forces that drives the movement. You are here: Home › Grieg/Schumann: Piano concertos/Perahia. Jáuregui’s playing is elegantly restrained yet emotive, highlighting the romantic themes prevalent throughout the music. 27 FRIEDRICH KALKBRENNER: Le rêve Op. 86 Konzertstücke for four solo horns. The Quasi Variazioni movement featured on this album is perhaps the most poignant of the sonata and one of Jáuregui’s best performances: she has a breathtaking sound quality in the delicate and moving lyricism of the upper voice and the resonant, swirling bass line (also thanks to the fine Bösendorfer grand she plays). This work contains an interesting psychological component that also resides in many of Schumann’s other works: the relationship between opposing sides of his personality. A notable comparison here is Martha Argerich (either with Riccardo Chailly and the Gewandhausorchester Leipzig or with Harnoncourt and the Chamber Orchestra of Europe) – her notes seem to have a little more ‘snap’ and swinging rhythmic presence, giving the movement a brightness and vitality. Her perfect handling of the breathtakingly lovely opening of the Introduction and Allegro appassionato would melt the hardest of hearts. Great prices. The Classic Review was launched in 2018 for classical music lovers around the globe. 7, was composed by Clara Wieck, better known as Clara Schumann after her later marriage to Robert Schumann.She completed her only finished piano concerto in 1835, and played it first that year with the Leipzig Gewandhaus Orchestra, conducted by Felix Mendelssohn If I have any preference, it's for the warmer sound of the Czech Philharmonic, due in part to the woodier woodwinds. 92 (1849) [15:44] Introduction and Concert-Allegro, Op. Grieg/Schumann: Piano concertos/Perahia. Artistic Quality: 9 Sound Quality: 9. The recording of Schumann's Piano Concerto is quite a different story. You are here: Home › Schumann: Piano concerto, etc./Zacharias. [A joyous and songful Schumann.] The Piano Concerto in A minor, Op. But this 1974 pairing of the Grieg and Schumann piano concertos reveals that the titan wasn't sleeping. Artistic Quality: 3 Sound Quality: 7. Please make no mistake, I would not be without these interpretations. The same goes for the joyful final movement, which is quite lovely but could use a little more of Florestan’s sprightly energy if not impetuousness. 1 – Moog, Deutsche Radio Philharmonie, Milton, Review: Britten – Saint Nicolas, A Ceremony of Carols – BBC Concert Orchestra, Crouch End Festival Chorus, Temple, Read of the latest news in classical music, Looking for the best version of a classical music piece? Normally it's a helter-skelter race to the finish, but here Hewitt and Hannu Lintu choose a surprisingly stately pace, reflecting Schumann's actual metronome marking and bringing out the movement's swinging, waltz-like character. Find album reviews, stream songs, credits and award information for Schumann: Piano Concerto; Fantasiestücke, Op.12 - Martha Argerich on AllMusic - 2005 - Why … 54 recorded in the Italian Institute, Budapest 1 st – 6 th March 1988), BRT Philharmonic Orchestra/Alexander Rahbari (Op. It remains very much at the forefront of my favourite works. Find album reviews, stream songs, credits and award information for Schumann: Piano Concerto - Angela Hewitt, Hannu Lintu, Deutsches Symphonie-Orchester Berlin on AllMusic - 2012 - Angela Hewitt, known mostly for recordings of… Maria João Pires pf LSO / Sir John Eliot Gardiner (LSO Live) 'The Schumann Concerto with Maria João Pires is conceptually similar to the version she made with Claudio Abbado – chosen tempi are near identical – except that here orchestral textures are maybe just a little lighter. The magic is all in the phrasing, where Richter was peerless, and of course in his lion … Schumann’s Piano Concerto is heard so often that its originality can be taken for granted. 20 Variations on a theme of Robert Schumann. The other one (on DOR-90172, actually recorded later than this one), with the Dallas Symphony, is paired with the Brahms Piano Concerto No. 134 (1853) [14:47] Angela Hewitt (piano) Deutsches Symphonie-Orchester Berlin/Hannu Lintu rec. The Classic Review was launched in 2018 for classical music lovers around the globe. Dvorak, Grieg, Schumann: Piano Concertos / Sviatos ... by Grieg, Edvard, Schumann, Robert on SuperAudio CD. Review: “33” – Simon Ghraichy, Piano (DG) The Kreisleriana is a different story; The never-ending conflicts that comprise Schumann’s big piano cycles are met with outstanding sensitivity, and the tone, pedal and phrasing control are all superb. Schumann: Piano concerto, etc./Zacharias. 14 Sonata (1836) was named “Concerto Without Orchestra” by Schumann’s publisher Tobias Haslinger, in an attempt for it to appeal to a wider audience. – Piano Concerto, variations form Piano Sonata no like tolling bells dissipating into the distance profundity of the and! 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